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But we’re here to discuss her recent – shimmering, slick and frequently anthemic – 12th album, Kiss Me Once.And, more importantly, some just-announced autumn European tour dates. Kylie, the consummate performer, is clearly itching to experience the rush of touring again – and is keenly attuned to the power of a superstar concert.It’s elusive to define but prevalent in our vocabulary. In Greek mythology, the almighty Zeus created a woman named Pandora. Painful when absent, powerful when present, hope draws its power from the past, empowers individuals in the present, but always concerns something in the future.Though the box was shut, the buzzing did not cease.Waiting in the lobby of a plush central London hotel, I can sense Kylie Minogue coming before I see her.

First she drew near holy Kythera, and from there, afterwards, she came to sea-girt Kupros, and came forth an awful and lovely goddess …

‘I just think it’s kind of cosmic, I’ve said that for a long time,’ she says.

‘That might sound a bit airy-fairy to some people but I’m talking about something very strong – this incredible collision of energies, from me and from the crowd. It’s just amazing to wonder.’ Kylie’s tours are always spectacular.

One website describes this myth as, Uranos (the Sky) came, bringing on night and longing for love, and he laid about Gaia (the Earth) spreading himself full upon her.

Then the son (Cronos) from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father’s members and cast them away…